Monday, April 13, 2009

Stings & Smiles


The first HAT-Trick workshop for 2009 was organised by us at International Club on Saturday, 11th April 2009 and the conductor was none other than the celebrated illustrator, cartoonist, scriptwriter, film maker and painter Mr. Sarbajit Sen.

“Lines crookedly drawn – features exaggerated – oddities blown out of proportion – we often tend to think that is all about cartoons. Too simplistic, isn’t it” is how Sarbajit Sir introduced visual scripting for comic strips to his audience.

He went on to explain to the audience that cartoons were almost certainly about having fun. Whether it be the about an experience we have on pour daily life, whether about the current trends in news – sports, politics or others, or whether about something totally imaginary.

The art of story-telling, visually, is more complex than narrating and in the process more fulfilling for the creator. For animation students it is all the more important since it guides the film development process and works as a storyboard for the film maker’s script. Cartoons or comic strips are not bound by any language and the medium is powerful enough to communicate without the aid of “language”.

Comics have a visual language which is universal and speaks for itself. To further illustrate this point he shared a “French” comic strip about a man feeding a crow and no one had any difficulty in understanding the story even though the dialogues were in French.

He encouraged the participants to create a story in three or more frames based on their day to day experience, the political situation or anything which came to their mind, to illustrate his point and upon request from the audience, picked up the pen and started illustration on ‘Concept”

This got the students started and everyone squatted on the floor and started “illustrating” their own ideas on paper. Sarbajit Sir encouraged everyone to discuss their ideas with him and approach him if they got stuck....

Students approached him in droves and he patiently went through their work guiding them and encouraging them with his remarks and suggestions. The queue to get their work assessed was increasing by the minute and one could see the happy faces of those who could squeeze through.

Eventually time ran out and Mr. Sen promised that he would look at each and every work in details later and would be happy to leave his comments about them for the students to see.

In the end Mr. Sen encouraged students to scribble a lot and do freehand sketching exercises to improve their drawing skills and asked them to develop their sense of observation of day to day happenings and be more aware of them.

The winning student comic was an entry by Tapon Roy.




Mr. Ramesh Ruia, the Director of Arena Animation Park Street announced that Mr. Sarbajit Sen would conduct a longer duration workshop for the interested students at the academy and those interested could register their names for the same.

The success of the seminar can best be judges by what the students had to say:

“Ek do teen char, Sarbajit Sir is a superstar” - Sushama Shaw

“The program was simply stunning and I learnt a lot” - Tanushree Biswas

“It was an excellent experience as well as opportunity to interact with a person
like Mr. Sen. I enjoyed drawing, sitting on the floor. Thanks to Arena Animation – Park Street” - Kumar Ajay

“Idea of comics became more clear” - Sangita Ray

“This seminar laid the foundation for learning storyboarding, which is so important for creating script for animation” - Tapan Roy

Saturday, April 11, 2009


Biography

Petrov was born in the village of Prechistoye (Yaroslavl Oblast) and lives in Yaroslavl.He studied art at VGIK (state institute of cinema and TV). He was a disciple of Yuriy Norshteyn at the Advanced School for screenwriters and directors (Moscow).After making his first films in Russia, in Canada he adapted the novel The Old Man and the Sea, resulting in a 20-minute animated short — the first large-format animated film ever made. Technically impressive, the film is made entirely in pastel oil paintings on glass, a technique mastered by only a handful of animators in the world. By using his fingertips instead of a paintbrush on different glass sheets positioned on multiple levels, each covered with slow-drying oil paints, he was able to add depth to his paintings. After photographing each frame painted on the glass sheets, which was four times larger than the usual A4-sized canvas, he had to slightly modify the painting for the next frame and so on. It took Aleksandr Petrov over two years, from March 1997 through April 1999, to paint each of the 29,000+ frames. For the shooting of the frames a special adapted motion-control camera system was built, probably the most precise computerized animation stand ever made. On this an IMAX camera was mounted, and a video-assist camera was then attached to the IMAX camera. The film was highly acclaimed, receiving the Academy Award for Animated Short Film and Grand Prix at the Annecy International Animated Film Festival.

After this, Aleksandr Petrov has maintained a close relationship with Pascal Blais Studio in Canada, which helped fund The Old Man and the Sea, where he works on commercials.

He returned to Yaroslavl in Russia to work on his latest film, My Love, which was finished in spring 2006 after three years' work and had its premiere at the Hiroshima International Animation Festival on August 27, where it won the Audience Prize and the Special International Jury Prize. On March 17, 2007, My Love will be theatrically released at the Cinema Angelika in Shibuya, (Japan) by Studio Ghibli, as the first release of the "Ghibli Museum Library" (theatrical and DVD releases of Western animated films in Japan).

Filmography :

Director1988—Marathon, Марафон (Marafon) (directed and animated with Mikhail Tumelya)

1989—The Cow, Корова (Korova) (after Andrey Platonov)

1992—The Dream of a Ridiculous Man, Сон смешного человека (Son smeshnovo cheloveka) (after Fyodor Dostoevsky)

1997—Mermaid, Русалка (Rusalka) (after Alexander Pushkin)

1999—The Old Man and the Sea (after Ernest Hemingway)

2003—Participated in Winter Days, 冬の日 (Fuyu no hi)

2006—My Love, Моя любовь (Moya lyubov) (after Ivan Shmelev)

Art director

1984 By a Wave of the Wand, По щучьему велению (Po shchuchyemu veleniyu) (directed by Valeriy Fomin, cutout animation)

1985—Tale of a Small Fry, Сказочка про козявочку (Skazochka pro kozyavochku) (directed by Vladimir Petkevich, paint-on-glass)

1986—Welcome, Добро пожаловать (Dobro pozhalovat) (directed by Alexei Karayev, paint-on-glass)

AWARDS :

1988—Ottawa International Animation Festival: Welcome, "Grand Prix"

1990—Berlin International Film Festival: The Cow, "Honorable Mention" in the category "Best Short Film"

1990—Academy Award for Animated Short Film: The Cow (nominated)

1990—Ottawa International Animation Festival: The Cow, "OIAF Award for Best First Film"

1992—Bombay International Documentary, Short and Animation Film Festival: The Cow, "Golden Conch for Best Animation Film"

1992—Ottawa International Animation Festival: The Dream of a Ridiculous Man, "Audience Award" and "OIAF Award for Best Production Between 10 and 30 Minutes in Length"

1993—Cracow Film Festival: The Dream of a Ridiculous Man, "Special Mention for the depiction of a crucial subject in the form of animation"

1997—Cinanima: The Mermaid, "Grand Prize"

1997—International Leipzig Festival for Documentary and Animated Film: The Mermaid, "Honorable Mention" in the category "Animated Films and Videos"

1997—2nd Open Russian Festival of Animated Film: The Mermaid, "Best Animator of a Drawn Film", "3rd Place Rating by Audience Vote"

1998—Academy Award for Animated Short Film: The Mermaid (nominated)

1998—Ottawa International Animation Festival: The Mermaid, "Craft Prize" in the category "Best Story"

1998—Zagreb World Festival of Animated Films: The Mermaid, "Grand Prize"

1999—Academy Award for Animated Short Film: The Old Man and the Sea2006—11th Hiroshima International Animation Festival: My Love, "Audience Prize" and "Special International Jury Prize"[3]

2006—International Leipzig Festival for Documentary and Animated Film: My Love, "FIPRESCI Prize for Best Animation" [4]

2007—12th Open Russian Festival of Animated Film: My Love, "Grand Prix", "Best Direction" and "Best Visuals"

2007—XVII International "Message to Man" Film Festival: My Love, "Grand Prix"2007—Academy Award for Animated Short Film: My Love (nominated)

to learn more :http://www.imdb.com/name/nm0678154/http://animator.ru/db/?ver=eng&p=show_person&pid=735

wow !! that was quite an info !! :)