Monday, April 13, 2009

Stings & Smiles


The first HAT-Trick workshop for 2009 was organised by us at International Club on Saturday, 11th April 2009 and the conductor was none other than the celebrated illustrator, cartoonist, scriptwriter, film maker and painter Mr. Sarbajit Sen.

“Lines crookedly drawn – features exaggerated – oddities blown out of proportion – we often tend to think that is all about cartoons. Too simplistic, isn’t it” is how Sarbajit Sir introduced visual scripting for comic strips to his audience.

He went on to explain to the audience that cartoons were almost certainly about having fun. Whether it be the about an experience we have on pour daily life, whether about the current trends in news – sports, politics or others, or whether about something totally imaginary.

The art of story-telling, visually, is more complex than narrating and in the process more fulfilling for the creator. For animation students it is all the more important since it guides the film development process and works as a storyboard for the film maker’s script. Cartoons or comic strips are not bound by any language and the medium is powerful enough to communicate without the aid of “language”.

Comics have a visual language which is universal and speaks for itself. To further illustrate this point he shared a “French” comic strip about a man feeding a crow and no one had any difficulty in understanding the story even though the dialogues were in French.

He encouraged the participants to create a story in three or more frames based on their day to day experience, the political situation or anything which came to their mind, to illustrate his point and upon request from the audience, picked up the pen and started illustration on ‘Concept”

This got the students started and everyone squatted on the floor and started “illustrating” their own ideas on paper. Sarbajit Sir encouraged everyone to discuss their ideas with him and approach him if they got stuck....

Students approached him in droves and he patiently went through their work guiding them and encouraging them with his remarks and suggestions. The queue to get their work assessed was increasing by the minute and one could see the happy faces of those who could squeeze through.

Eventually time ran out and Mr. Sen promised that he would look at each and every work in details later and would be happy to leave his comments about them for the students to see.

In the end Mr. Sen encouraged students to scribble a lot and do freehand sketching exercises to improve their drawing skills and asked them to develop their sense of observation of day to day happenings and be more aware of them.

The winning student comic was an entry by Tapon Roy.




Mr. Ramesh Ruia, the Director of Arena Animation Park Street announced that Mr. Sarbajit Sen would conduct a longer duration workshop for the interested students at the academy and those interested could register their names for the same.

The success of the seminar can best be judges by what the students had to say:

“Ek do teen char, Sarbajit Sir is a superstar” - Sushama Shaw

“The program was simply stunning and I learnt a lot” - Tanushree Biswas

“It was an excellent experience as well as opportunity to interact with a person
like Mr. Sen. I enjoyed drawing, sitting on the floor. Thanks to Arena Animation – Park Street” - Kumar Ajay

“Idea of comics became more clear” - Sangita Ray

“This seminar laid the foundation for learning storyboarding, which is so important for creating script for animation” - Tapan Roy

Saturday, April 11, 2009


Biography

Petrov was born in the village of Prechistoye (Yaroslavl Oblast) and lives in Yaroslavl.He studied art at VGIK (state institute of cinema and TV). He was a disciple of Yuriy Norshteyn at the Advanced School for screenwriters and directors (Moscow).After making his first films in Russia, in Canada he adapted the novel The Old Man and the Sea, resulting in a 20-minute animated short — the first large-format animated film ever made. Technically impressive, the film is made entirely in pastel oil paintings on glass, a technique mastered by only a handful of animators in the world. By using his fingertips instead of a paintbrush on different glass sheets positioned on multiple levels, each covered with slow-drying oil paints, he was able to add depth to his paintings. After photographing each frame painted on the glass sheets, which was four times larger than the usual A4-sized canvas, he had to slightly modify the painting for the next frame and so on. It took Aleksandr Petrov over two years, from March 1997 through April 1999, to paint each of the 29,000+ frames. For the shooting of the frames a special adapted motion-control camera system was built, probably the most precise computerized animation stand ever made. On this an IMAX camera was mounted, and a video-assist camera was then attached to the IMAX camera. The film was highly acclaimed, receiving the Academy Award for Animated Short Film and Grand Prix at the Annecy International Animated Film Festival.

After this, Aleksandr Petrov has maintained a close relationship with Pascal Blais Studio in Canada, which helped fund The Old Man and the Sea, where he works on commercials.

He returned to Yaroslavl in Russia to work on his latest film, My Love, which was finished in spring 2006 after three years' work and had its premiere at the Hiroshima International Animation Festival on August 27, where it won the Audience Prize and the Special International Jury Prize. On March 17, 2007, My Love will be theatrically released at the Cinema Angelika in Shibuya, (Japan) by Studio Ghibli, as the first release of the "Ghibli Museum Library" (theatrical and DVD releases of Western animated films in Japan).

Filmography :

Director1988—Marathon, Марафон (Marafon) (directed and animated with Mikhail Tumelya)

1989—The Cow, Корова (Korova) (after Andrey Platonov)

1992—The Dream of a Ridiculous Man, Сон смешного человека (Son smeshnovo cheloveka) (after Fyodor Dostoevsky)

1997—Mermaid, Русалка (Rusalka) (after Alexander Pushkin)

1999—The Old Man and the Sea (after Ernest Hemingway)

2003—Participated in Winter Days, 冬の日 (Fuyu no hi)

2006—My Love, Моя любовь (Moya lyubov) (after Ivan Shmelev)

Art director

1984 By a Wave of the Wand, По щучьему велению (Po shchuchyemu veleniyu) (directed by Valeriy Fomin, cutout animation)

1985—Tale of a Small Fry, Сказочка про козявочку (Skazochka pro kozyavochku) (directed by Vladimir Petkevich, paint-on-glass)

1986—Welcome, Добро пожаловать (Dobro pozhalovat) (directed by Alexei Karayev, paint-on-glass)

AWARDS :

1988—Ottawa International Animation Festival: Welcome, "Grand Prix"

1990—Berlin International Film Festival: The Cow, "Honorable Mention" in the category "Best Short Film"

1990—Academy Award for Animated Short Film: The Cow (nominated)

1990—Ottawa International Animation Festival: The Cow, "OIAF Award for Best First Film"

1992—Bombay International Documentary, Short and Animation Film Festival: The Cow, "Golden Conch for Best Animation Film"

1992—Ottawa International Animation Festival: The Dream of a Ridiculous Man, "Audience Award" and "OIAF Award for Best Production Between 10 and 30 Minutes in Length"

1993—Cracow Film Festival: The Dream of a Ridiculous Man, "Special Mention for the depiction of a crucial subject in the form of animation"

1997—Cinanima: The Mermaid, "Grand Prize"

1997—International Leipzig Festival for Documentary and Animated Film: The Mermaid, "Honorable Mention" in the category "Animated Films and Videos"

1997—2nd Open Russian Festival of Animated Film: The Mermaid, "Best Animator of a Drawn Film", "3rd Place Rating by Audience Vote"

1998—Academy Award for Animated Short Film: The Mermaid (nominated)

1998—Ottawa International Animation Festival: The Mermaid, "Craft Prize" in the category "Best Story"

1998—Zagreb World Festival of Animated Films: The Mermaid, "Grand Prize"

1999—Academy Award for Animated Short Film: The Old Man and the Sea2006—11th Hiroshima International Animation Festival: My Love, "Audience Prize" and "Special International Jury Prize"[3]

2006—International Leipzig Festival for Documentary and Animated Film: My Love, "FIPRESCI Prize for Best Animation" [4]

2007—12th Open Russian Festival of Animated Film: My Love, "Grand Prix", "Best Direction" and "Best Visuals"

2007—XVII International "Message to Man" Film Festival: My Love, "Grand Prix"2007—Academy Award for Animated Short Film: My Love (nominated)

to learn more :http://www.imdb.com/name/nm0678154/http://animator.ru/db/?ver=eng&p=show_person&pid=735

wow !! that was quite an info !! :)

Tuesday, March 31, 2009

WHEN THE MENTORS FOUND THEIR MENTOR

Kolkata, 31st March, 2009 : The word “Animation” is all about Soul as “Anima” means SOUL in Latin. Unfortunately, technology has obliterated the soul from our animation.


Some 15 odd mentors from Arena Park Street were to find this out over two days in the sanctum of academics at Jadavpur University courtesy the infallible, energetic, enthusiastic and adorable Prosenjit Ganguly aka PJ.


On 29th March 2009 the day began with a quote of Brad Bird:


“The first step in achieving the impossible believing that the impossible can be achieved"


and this was enough to charge up everyone present.


Animation is an art of visual communication, based on conceptualization. Here Film is the Soul and Art is its Heart.


The essence of the program can best be summed up in the words of John Lassetter:


“Computers don’t create computer animation any more than pencils create pencil animation. What creates computer animation is the artist.”

Thoughts should always reflect the imagination irrespective of the field of application whether it be animation, screenplay writing or even graphic designing.


The core element of unique art form always needs a medium to express. And graphics or animation films (narrative / non narrative) are one of the finest mediums to communicate. Technology is only required to deliver the expression or to communicate the thoughts that we develop.


The entire bunch began the day by honouring legends like Charlie Chaplin, Satyajit Ray and few academy award winning filmmakers and made the day very nostalgic.


We all watched some great films including:

o I met the walrus

o Creature Comfort

o Every Child

o Balance

o Octupodi

o Cat came back

o An occurrence at the Owl Creek’s bridge

PJ also emphasized on the essentials of character design-its universe, treatment of films, screenplay, pitching, storyboarding etc. He explained brilliantly the importance of conceptualization, aesthetic sense and skills, in the process of film design with the help of these films.


The most interesting part of that two-day session was that both the days all the mentors were given assignments. They were given crayons and papers (the most fundamental tools) and they had to paint to the rhythm of sounds of flute and Tchaikovsky. The exercise was designed to cure the fear of colour from our minds.


PJ ended day 1 with an assignment on pitching ideas. He gave all of us a premise or brief wherein we were to prepare the concept and story for a PSA (Public Service Announcement) of 20 seconds to be aired on TV and whose message was that “Ghosts exist but we don’t have to be scared about them”


Day – 2 began with the pitches and turned out to be another brilliant session since the experience of pitching ones idea was new and unique for most if us.


The two-day long session was to discover the ART from HEART, ACT from ACTING and above all the SOUL from ANIMAtion (Anima means Soul in Latin). And to get the Soul we have to “Live in Animation.” Obliterated


We would like to thank PJ personally from the core of our hearts as he has made us learn the fun and artistic way of playing with colors- it’s all about “RHYTHM & SKETCH”… Thanks a lot and hope to see you again with few more assignments for us..!

- Arundhati Halder

Friday, March 20, 2009

Out in the Open… (Sorry PJ, we stole your line!)

19 March, Prinsep Ghat, Kolkata: The recent Holi celebrations seemed to have had a Santiniketan-effect on Arena Park Street as the entire T-T-S (Tuesday/Thursday/Saturday) batch were taken out of doors for their classes. All the mentors and their students met in front of the CAB Club House (Eden Gardens) at around 9 in the morning to kick start the day with some Perspective-drawing at the Customs Grounds.


the group assembles


The day began with an hour of intensive drawing sessions with the mentors helping, guiding, sometimes rectifying mistakes of the students as they tried their hands at live perspective drawing. It was a welcome break from the mundane routine of indoor classes. Trying to visualize landscapes, buildings and different structures from the confines of a classroom gave way to a much more effective and helpful way of drawing-as-you-see-it from different angles. Initially the mentors had to explain the purpose of an outdoor study such as this and gradually the interest level of the students started to grow. It was interesting to see a few students breaking away from their group of friends to get a better view of their subject of interest. Every student was armed with their sketch books and pencils and it was a treat to watch the budding animators getting a first-hand experience of field study.

 '

explaining the purpose


the most popular object of interest


budding animator 1



budding animator 2



budding animator 3, 4, 5 and more...



more animators

By 11.30, the team reached the next stop where the rest of the day was to be spent.  A long walk to reach the Prinsep Ghat helped the students get into the mood and a ‘learning is fun’ kind of an atmosphere built up gradually. After a short break of fifteen minutes, the group was divided into two halves. The first semester students made up Group One, while the second, third, fourth and fifth semesters constituted Group Two.

While both groups studied the same topics through the day, the treatment had to be different for the new students of the First Semester as they have not yet been introduced to the nuances of animation. As the mentors posed for them, they drew stick figures and got their queries answered.




perspective drawing lessons



the perspective of a train



our destination of the day



what a sight!

After the much awaited lunch-break, everyone came back for another session of classes. While the first semester students were introduced to The Principles of Animation, the rest of the group had a thorough revision of the same topic. The students acted, posed, mimicked and showered queries on their mentors for this interactive session. The topics covered in the day were as follows -

1.       Nature Study:

a.                   Perspective

b.                  Composition

c.                   Texturing 

d.                  Colour Tone

e.                  Light And Shade

2.        Action and Posing:

a.                   Line of Action

b.                  Stick Drawing

c.                   Principles Of Animation

d.                  Acting


 




when students and mentors posed alike!

The students thoroughly enjoyed the sessions because of the vast difference in the learning environment from the day-to-day 2 hour classes. For once, there were more than 8 students in a class, hence there were different kinds of queries that the students were exposed to by their peers. Second, there was more than one mentor explaining one topic; hence students received more knowledge on every topic.

 

principles of animation for sem - 1

The day ended with a session on Colour Theory with a practical demonstration on Colour Tone and Light & Shade as the sun set behind the huge monument erected in honour of James Prinsep. As the students dispersed for the day, the mentors sat down for a review of the entire day’s proceedings; to take feedback, to discuss and to chalk out a plan of the step of action.


colour theory @ sunset!

Every person on this trip realized that there is a lot more to animation than Max and Maya, a day out in the open had managed to open a lot of eyes to the reality that the Holistic Animation Training Methodology has been trying to drill into these minds for quite some time now.  

Looking forward to the next trip…